Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?
On the fifth of December 2024, a leading publication ran the headline “Insurance CEO Gunned Down In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then walked coolly away”. The murder in broad daylight was indeed both chilling and disturbing. But numerous US citizens reacted differently: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company created to increase earnings on your health.”
Five days later, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a graduate degree in computing, was arrested at a McDonald’s in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with the district attorney seeking the death penalty. So what is his background? And what might have motivated the accused offense? These are the questions John H Richardson attempts to answer in an investigation that explores broader themes, too.
Understanding the Person
A writer for a major publication, Richardson devoted considerable time to studying the communities that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an end-times scenario”. To uncover “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of nearly three hundred titles on a reading platform”. Their subject matter covered climate change to masculinity, along with a “emphasis on his own personal growth, both physical and mental”. Furthermore, Richardson analyzes his correspondence with influencers and authors as well as his many posts on digital networks. These primary sources, meant to paint a portrait of Mangione, instead present him as an unclear character. Richardson attempts to explain this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson attempts to cast his subject in symbolic roles.
Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “refuse” and “depose”, engraved on the bullets left behind at the crime scene. These are the phrases sometimes used by medical insurers to deny coverage. He looks at the evidence Mangione suffered from a long-term spinal issue, which might have provided motive for an attack, but discovers no confirmation; instead, what significance there is seems to lie in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, moving rapidly to the edge”; a world where the consensus seems to be that AI is going to ultimately either dominate, or eliminate humanity, or both.
Missing Pieces
Conspicuous by their absence from the book are interviews with the principal actors. Richardson made requests, but never expected time with Mangione himself. And his family made it clear that they had chosen not to talk to the press in prior to the trial. Another flashing-yellow omission is any significant information about the deceased, Thompson, though we learn that under his leadership, from the early 2020s, UHC profits rose significantly.
Ambiguous Findings
By book’s end, the audience has little insight of Mangione’s personality or what might have motivated his alleged crimes. Worse still, Richardson’s obvious sympathy for him creates the disturbing feeling of having been exposed to a veiled endorsement of an targeted killing. In the book’s final lines, Richardson delivers his fairytale assessment: “We’ve entered a era of stories, the mad king, the monster in the maze and the emperor without clothes.” In that fable “Robin Hoods come with a appealing vow … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”
One thing is clear: as Mangione’s defence team continues in its attempts have accusations that could lead to the ultimate sentence thrown out, any reference of fables, Robin Hoods, champions or monsters will not be allowed in court in defence of this attractive individual with a “features reminiscent of classical art” facing judgment for murder.